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Summary
Titles
- Full Title: A companion to literature and film/ ed. by Robert Stam & Alessandra Raengo
Notes
- Af indholdet: S. 92-111: The invisible novelty: film adaptations in the 1910s / Yuri Tsivian. -- S. 127-143: The intertextuality of early cinema: a prologue to Fantômas / Tom Gunning. -- S. 171-188: Visualizing the voice: Joyce, cinema, and the politics of vision / Luke Gibbons. -- S. 229-257: The devil's parody: Horace McCoy's appropriation and refiguration of two Hollywood musicals / Charles Musser. -- S. 278-297: Adapting Farewell, my lovely / William Luhr. -- S. 298-325: Daphne du Maurier and Alfred Hitchcock / Richard Allen. -- S. 326-342: Running time: the chronotope of The loniness of a distance runner / Peter Hitchcock. -- S. 343-357: From libertinage to Eric Rohmer / Maria Tortajada. -- S. 358-367: The moment of portraiture: Scorsese reads Wharton / Brigitte Peucker. -- S. 368-384: The talented poststructuralist: hetero-masculinity, gay artifice, and class passing / Chris Straayer. -- S. 385-398: From Bram Stoker's Dracula to Bram Stoker's Dracula / Margaret Montalbano. -- S. 423-447: All's Wells that ends Wells: apocalypse and empire in The war of the worlds / Julian Cornell.
Identifiers
- Isbns: 063123053X; 9780631230533
- Oclc Number: (OCoLC)474514567
Publication Statement
- Place: Malden
- Publisher: Blackwell
- Date: 2004
Physical Description
- Extent: xv, 463 s
Table Of Contents
- Af indholdet: S. 92-111: The invisible novelty: film adaptations in the 1910s / Yuri Tsivian. -- S. 127-143: The intertextuality of early cinema: a prologue to Fantômas / Tom Gunning. -- S. 171-188: Visualizing the voice: Joyce, cinema, and the politics of vision / Luke Gibbons. -- S. 229-257: The devil's parody: Horace McCoy's appropriation and refiguration of two Hollywood musicals / Charles Musser. -- S. 278-297: Adapting Farewell, my lovely / William Luhr. -- S. 298-325: Daphne du Maurier and Alfred Hitchcock / Richard Allen. -- S. 326-342: Running time: the chronotope of The loniness of a distance runner / Peter Hitchcock. -- S. 343-357: From libertinage to Eric Rohmer / Maria Tortajada. -- S. 358-367: The moment of portraiture: Scorsese reads Wharton / Brigitte Peucker. -- S. 368-384: The talented poststructuralist: hetero-masculinity, gay artifice, and class passing / Chris Straayer. -- S. 385-398: From Bram Stoker's Dracula to Bram Stoker's Dracula / Margaret Montalbano. -- S. 423-447: All's Wells that ends Wells: apocalypse and empire in The war of the worlds / Julian Cornell.
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